Alum Feature: Minadora Macheret

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Jacqui interviews NKU BA and MAE graduate, Minadora Macheret, about her life after NKU, which includes an MA at Kansas State and acceptances to several PhD in English/Creative Writing programs: University of South Dakota, Georgia State, and the University of North Texas (with full funding).

JT: Tell us about some of your favorite memories at NKU as an undergraduate and graduate student.

MM: Some of my favorite memories as an undergraduate student while at NKU had to be the OpenMic that we have in the middle of the plaza during the Celebration of Research week. Also, I loved the trip I got to take to Ecuador to do service-learning and to engage the country and its history. As a graduate student, I was fortunate to be chosen to run Licking River Review and learned a lot from sending out a call for submissions to finalizing the proofs on the final product. Most of all, my favorite memories included the faculty and students that were part of my community and who continue to support me today (even states away).

JT: You also have another Master’s degree from Kansas State. What degree is that in, and what made you decide to get another Master’s degree?

MM: Funnily enough, my Master’s degree from Kansas State is also in English, but with a focus in literature and creative writing, along with a certificate in Professional and Technical Communication. Well, I ended up at K-State after dealing with almost 12 rejections to MFA programs from the 2014-2015 application season. I had heard from a friend that they were still looking for applicants (especially poets) and considering their amazing poet on faculty, Traci Brimhall, I realized that I wanted to work with her and see how my poetry could grow. Also, K-State gave me the opportunity to teach persuasive writing as a Graduate Teaching Assistant, which would help to cover my tuition and some of my living costs.

JT: Many students from NKU will want to further their education, and many will be looking into graduate assistantships, teaching assistantships, and other scholarships to receive funding for graduate school, myself included. Since you just received funding to the University of South Dakota, what advice would you give those students?

MM: I would advise researching the schools that you are applying to and making sure that they state on their departmental websites that they cover tuition through teaching assistantships or research assistantships, or through other work programs through the university, like working in writing centers. If the website doesn’t tell you then call the department and speak to their director to find out how funding is distributed (if it is offered). Not all programs will offer funding or some will just offer partial funding. Also, make sure to highlight any sort of teaching you have done, whether as a teaching assistant, a grader, as a tutor, through any volunteering programs, etc. within your statement of purpose to show the program that you’re serious in pursuing your skills in aiding others to learn. I think most importantly that you find ways to follow your passions even if it may not be considered the “normal route.” For instance, at K-State I was unable to teach any creative writing courses and so I found ways to teach creative writing within the community. I teach poetry and storytelling to the local 4-H Latina club in Manhattan, KS, which have become very popular and opened other avenues where I get to engage creative writing. I think the best advice I ever got (coincidentally from a professor at NKU) was to take any passion I have and find a way to build community and engagement through it even when it seems like every door has closed. That bit of advice has been pivotal for my success as a poet and professional.

JT: What schools did you pick to apply to and why? What would you tell students to look for in a school when they start applying for graduate school?

MM: I applied to University of North Texas, Georgia State University, University of Tennessee, Knoxville, and Florida State University. I chose those other four schools because I heavily researched the faculty there and found people that I thought could become mentors or that at the very least we would be a good fit based on aesthetic, research interests, genre of writing, etc. Also, making sure each program was fully funded was a concern of mine along with looking at how their current students/recent graduates were doing as far as publications, rates of job offers, etc. As far as what you want to look for when you start applying for graduate school is to make sure that the city/town/location, its environment, and climate are things you can live with for the next two to five years depending on the length of your program. Look at the applications fees, if they require official GRE scores to be sent, and whether they require official transcript copies to be sent, all of which can add up very quickly and expensively. Make sure that there are faculty within the program that are interested in similar research ideas so you can establish a mentorship and work with someone already established within the field. Also, if funding is a concern of yours, make sure to find out that the program is fully funded and understand that funding can sometimes fall through due to the nature of budget cuts and bureaucracy. Lastly, I would see if the program offers classes that you would like to take by looking at their course catalogs and even reaching out to current students to hear about their experiences within that program.

JT: What do you plan to accomplish and focus on while furthering your education at either the University of South Dakota or the other programs you applied to?

MM: I will be focusing on completing a Ph.D. in Creative Writing with a focus in poetry. My hope is to complete a second collection of poems and work on sending out the current manuscript to be picked up. Along with that, I want to continue my work as the Poetry Editor for Devilfish Review, will hopefully join the staff of the university’s literary magazine, and continue my work with 4-H youth.

JT: Besides furthering your education, has there been anything else you’ve been up to?

MM: Besides furthering my education, I have spent a lot of time traveling cross- country with my pup, Aki, attending writing residencies, and being a part of different reading series. Also, I got to spend the last two years helping to do curriculum develop and create culturally-sensitive programming for KSRE-4H Youth Development, which has resulted in a webinar series where I get to be a facilitator as well as guest speaker. My time in Kansas has been a whirlwind full of adventure, reflection, and growth. I am thankful for the landscape I’ve gotten to experience and become a part of.

Faculty Feature: Dr. Jessica Chiccehitto Hindman

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Dr. Jessica Chiccehitto Hindman is the most recent addition to the creative writing faculty. Her writing has recently appeared in Hippocampus and Brevity. She has worked as a freelance researcher for various media organizations including MTV, where she was the first person to compile research on the show that would later become the nationwide hit Teen Mom. Her teaching and writing interests include memoir, the personal essay, cultural criticism, and Narrative Medicine.

JT: When did you start teaching at NKU? How has your experience been so far at NKU?

JCH: I started at NKU in August 2014, and it’s been amazing. I have never had more enthusiastic students, and my colleagues go out of their way to be supportive of me. Everyone has been very welcoming as I find my place here.

JT: I remember the first time I really fell in love with creative writing and why. What sparked your passion for creative writing?

JCH: Like most writers, I fell in love with reading first. I grew up in two very small, mountainous towns–one in WV that was under 2,000 people, and one in VA that was under 3,000. Reading was my primary way of learning about different people and places. And it was by reading that I knew I wanted to write. I remember being a freshman in college and reading Barbara Ehrenreich’s book, Nickel and Dimed. What I loved about that book is that it translated the realities of the working poor to a wealthy, elite readership. The translation wasn’t perfect, but it was the first time I’d ever read anything that even attempted to do that. As someone who had grown up in Appalachia and moved to uber-wealthy Manhattan, I knew I wanted to write literary nonfiction that bridged the divide between those two cultures, which is something that I struggled to do in my daily life. And I knew I wanted to write in a way that promoted social justice.

JT: How did that passion for creative writing transfer to a passion for teaching?

JCH: I never set out to teach, and yet, learning how to teach (it’s a constant learning process) has been the most meaningful intellectual and artistic experience of my life. Writing, particularly memoir writing, requires me to search inward. Like most memoirists, I don’t always like what I find there! Teaching is the opposite; all of my attention is focused on other people. It’s a much more comfortable stance. All that said, teaching is by no means some selfless act. I learned more about writing during my first semester of teaching writing (during the second year of my MFA program) than I had in K-12, college, and the first year of my MFA combined. I am constantly learning how to write by teaching others how to write.

JT: I know a number of students plan on being writers and professors after they graduate, myself included. What advice would you give to those students?

JCH: I think flexibility is key. I majored in Middle Eastern Studies in college. When September 11th happened I was actually in Cairo, Egypt on my junior year abroad. I interned at several newspapers and thought that with my knowledge of the Middle East and newspaper reporting experience, I’d have no problem getting a journalism job, especially with all the chaos in the region. But then, within a span of a few years that happened to coincide with my college years, the internet decimated the entire field of journalism. Newspapers folded, thousands of people were laid off, and the remaining news organizations closed most of their foreign bureaus. I had planned very carefully how to get a job after college, and it didn’t matter at all because the entire world had turned upside down. You just can’t plan for that; what you can do is be flexible. Think about what skills you have. Think about what the world needs. If there is anything that you know would make you absolutely miserable, cross that off your list, but be open to everything else. Be especially open to career paths you’ve never even considered. I never in a million years thought I’d be a college professor because, well, I really didn’t like college that much, and I was very happy to graduate and get the heck out of there. I never thought I’d go to graduate school. It was only years later that I opened my mind to it, and now I consider academia a place where I can contribute and a place where I feel at home. My point is that the world is going to change in extreme ways that we have no ability to predict. The “practical” major of today can easily become the major of the unemployed tomorrow, and vice-versa. The great thing about becoming an expert in the English language, and learning how to think critically and creatively, is that these are extremely flexible, transferable, and durable skills.

JT: I know you have work that is in the process of being published. Tell us about that.

JCH: Yes, I have a memoir that is currently with an agent in NYC. We are in the final stages before shopping it to publishers. Because it’s still in that stage I can’t say much more than that, but what I can say is that I wholeheartedly agree with George Orwell, who said that writing a book is like having some horrible, exhausting illness. It has been worth it, because one’s first book is, of course, where one learns how to write a book, but I will be very glad when the process is over and I can move on.

JT: Any other advice, thoughts, etc.?

JCH: One thing that sustains me through long workdays is knowing I will get to encounter my students’ lives on the page, in all of their glorious complexity, diversity, hilarity, and tragedy. I feel so privileged to help people write about their lives, and I learn so much about the world through what my students write. I guess what I’m trying to say is that if you’ve ever thought you have a true story to tell, I hope you’ll consider taking a Creative Nonfiction workshop!

Introducing Jacqui Tackett

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Jacqui Tackett is currently the Graduate Assistant for the Master’s in English Program at NKU, and she will be conducting the interviews this semester.

She’s getting her Master’s in English with a concentration in Creative Writing. She loves writing poetry, memoir, and fiction. She has a passion for fitness, especially running, and this year she is going to run The Flying Pig Half Marathon for the second time. She also has a slight obsession with Tim Burton and The Nightmare Before Christmas. She treats her three dogs as her children.

Alum Feature: Christen Leppla and Ryan Kauffman

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NKU English graduates, Christen Leppla (MA, 2011) and Ryan Kauffman (MA, 2011), discuss their graduate studies at Northern Michigan University, including their summer grants and recent publications.

What are you doing now?  Tell us about your MFA program, especially.

CL: I was lucky enough to get a fellowship in poetry to Northern Michigan University’s MFA program. It’s a teaching fellowship, so I teach one course a semester that will range from Composition to Creative Writing. In the fall, I will also be an associate fiction editor for Passages North. Since I’ve begun the MFA program, I’ve become the first person at NMU to duel track, so I’m now getting a MFA in poetry and fiction. It’s a lot of work, but I’m having a blast. The program is 3 years, so as of right now my thesis will entail a novel and a book length poetry collection. Needless to say, with that amount of work I’m glad the program is 3 years instead of 2!

RK: I’m a creative nonfiction candidate in the MFA program at Northern Michigan University. At first, I was considering dual tracking in nonfiction and fiction, but I’ve decided to concentrate solely on nonfiction for my coursework. The fiction faculty members, despite not having me as a student in their classes, have all been very helpful and encouraging of any works of fiction I’m working on outside of my nonfiction classes. Like Christen, I’ve been awarded funding for the program – mine in the form of a teaching assistantship – in which I teach one course a semester. So far, I’ve taught EN 111 Composition 1 and EN 211B Narrative and Descriptive Writing, and I’ll be teaching EN 211D Technical Writing in the fall. Also in the fall, I will be an associate nonfiction editor for Passages North.

Tell us about your summer grants.

CL: I received the Excellence in Education Grant to work on my novel over the summer. Basically, it covers some of my living expenses so that I can focus on finishing the first draft of my novel. The novel is centered on characters within diasporic Appalachian communities on the outskirts of what is considered the traditional Appalachian region, and the grant also paid for research materials to help me with authentic representation. I hope to have the first draft finished by September 1st.

RK: I received the Excellence in Education Grant to write a series of essays (that will hopefully become the centerpiece for a book-length work) interrogating memory through the lens of whale watching and the history of whaling in New England. With the grant, I travelled to Portland, Maine for archival research at the Maine Historical Society Library and the Portland Observatory, as well as two whale-watching tours in the North Atlantic for experiential research – in which I saw several Fin Whales (the second largest animal in the world) and Humpback Whales. My goal is to have written through at least three drafts of four essays by September 1st.

What have you recently published?

CL: I recently had two poems accepted in East Coast Literary Review. They were both poems that I’d workshopped at NKU and were part of the writing samples I sent with my MFA applications. It was great to see them find a home! I’ve actually published quite a few of the poems I wrote during my time at NKU, and I’m so grateful to the people in those workshops who challenged me as a writer.

RK: I’ve recently had several acceptances: One poem was accepted in Jellyfish Whispers, another poem was accepted in Poetry Quarterly, and a nonfiction piece was accepted in Punchnel’s. I worked on all three of these pieces, in earlier forms, during my time at NKU. The poem in Jellyfish Whispers has since been anthologized in the journal’s “Best of 2013” publication. I also have several pieces hanging out there in the ether between submission and rejection/acceptance, so my fingers are crossed for some more good news in the coming months.

Any current projects?

CL: Of course, my novel is the top priority this summer. To fulfill my grant proposal, I will need to complete at least twenty thousand words by the end of August. I’m also working on the beginnings of the poetry portion of my thesis, as well as trying to write a few nonfiction pieces that have been keeping me up at night. I will be presenting at the Writing Across the Peninsula Conference in the fall, so I will be polishing that presentation towards the end of the summer, as well.

RK: Along with the “whale” essays, I’m working on several other things this summer. I’ve been toying with a few flash fiction pieces, a novelette, and some ideas for a couple poetry/essay hybrid pieces that I’d like to get down on paper and start polishing. Another major project for this summer is centered on my reading list. Right now I have quite the stack to get through!

Any advice for current students?

CL: My advice is really for creative writing students. I think the most important thing current students can do is take advantage of every opportunity, whether that be working on Licking River Review, attending the readings the department organizes, or joining a workshop outside the classroom. The people I met when I got involved have continued to challenge and support me, and every experience helped my writing. I always wish I had done more. Also, commit to, and be present for, every workshop you take. Take risks. Experiment. Accept what is working and what isn’t. If you do that, the writing that will come from those workshops will be stronger and your ability to revise your work will be greater. Lastly, enjoy every minute! We are all so fortunate to go into a classroom that is devoted to what we love. I often can’t believe how lucky I am when I remember that my homework is to read a good book and write a few poems. I know I will look back someday and think how great this experience was and how I would do it all again if I could.

RK: Christen said it pretty well. In addition to her comments, I would encourage current students to take advantage of the wonderful creative writing classes and faculty at NKU. When you edit another student’s manuscript, take it seriously. By being a good editor/critic, you help yourself establish the literary moves you want to make in your own writing. Ask questions, and pay close attention to the faculty’s answers/suggestions. They know what they’re doing!

Faculty Feature: Dr. Parmita Kapadia

Dr. Parmita Kapadia, Associate Professor of English at NKU, discusses her research and her reasons for pursuing English Studies. She also offers advice for current students.

Please tell us about your recent publication.

My most recent publication, Bollywood Shakespeares, is an essay collection that explores how the Indian sub-continent has appropriated, adapted, and consumed Shakespeare. Specifically, the book traces the historical origins of Bollywood’s engagement with Shakespeare’s plays and examines how the Bard continues to be reimagined and reproduced through Bollywood conventions, styles, imagery, choreography, costuming, and music. This book builds on my previous scholarship on Shakespeare in a global context.

How did you know you wanted to become an English major and then a professor?

I actually did not major in English. I majored in Economics and Finance; my plan was to get an MBA and work on Wall Street. I still enjoy reading and learning about financial management. I was an English minor and had a professor who coaxed, cajoled, and finally pushed me to think about pursuing a doctorate in English. First he encouraged me to take a few more English courses. Then, he suggested I help the then-still-being-formed English Club write a budget and with general management issues. I loved being in the club; it was great to be with people who loved to read about, talk about, think about, and write about literature as much as I did. I wanted to keep reading and writing and I hoped to learn how to produce scholarship. At that point I realized I needed to get the Ph. D. I am still in touch with my former professor and I asked him if his getting me involved with the English Club through my economics background was intentional. He just smiled. I guess I can give him the credit or the blame.

What do you think is important for our current majors and recent graduates to know?

I think it is important for our majors to challenge themselves. Students should take courses in areas that are unfamiliar to them and in areas that sound hard or unusual. They should not be afraid of stepping out of their cocoons and trying something completely different. College should be a time of learning and experiencing new things and our majors should take advantage of this time.

Any current projects?

My current project focuses on how literature and immigration law represents and treats characters/individuals who come to the United States on various types of visas. Particularly, I am interested in individuals—most of them are women—who enter the US on what is known as a “Dependent Spouse” visa. This visa does not allow recipients to work, access public services, and in some cases drive, have a bank account, or rent a residence. Postcolonial literature’s depiction of such characters and immigration law’s treatment of them provides a space through which to examine issues of gender, race, and global capitalism.

Anything else you would like to tell us?  (For example, I know you have to balance lots as professor, writer, mother, wife, and daughter. You must know a great deal about balancing such roles.)  

Balancing different roles is the key to being productive, but it is important to keep one’s focus.

Alum Feature: Kevin Kehl

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Kevin Kehl graduated from NKU in 2012 with a BA in English and a minor in Medieval and Renaissance Studies.  He’s currently completing a MA in Literature at the University of Massachusetts Boston and is planning to apply to apply to PhD programs. 

What are you up to now?  Can you tell us a bit about your transition into the MA English Lit program at UMASS Boston?

Currently I am finishing my last semester in my Master’s program at the University of Massachusetts Boston and writing my thesis as well. In the upcoming fall, I plan on applying for Ph.D. programs. Besides my own studies, I teach a course at the University and I am also working with a professor to coordinate a study abroad trip this summer in Siena, Italy.

Once I graduated from NKU, I moved to Boston at the end of the summer to begin my M.A. in English Literature. My transition into the program was actually very exciting. I was one of many transplants into the city with many colleagues from different parts of the country. The idea of moving into a city with no previous connections was a bit nerve-racking, but the faculty and fellow students have provided a wonderful atmosphere for learning. For me, it has been a very profitable decision in both my academic career and personal life—mostly because Boston is an amazingly vibrant city, packed full of opportunities. The city is never a dull moment! Of course, running into random NKU professors at conferences is nice as well!

What is one of your greatest memories and/or greatest lessons from your time at NKU?

Hmm…that’s a tough question. Well the greatest memories, I will say, have always come from the interaction with the English faculty in-and-out of the classroom. Particularly, I always looked forward to the energetic classes taught by the professors. Topics such as Shakespeare, Faulkner, Romanticism, and…I hate to say it…Literary Theory, always seemed to be fun even at their most grueling moments. The best parts were being able to have study groups and conversations with other people about the things we enjoyed or suffered. I know that one semester, our theory class banded together to form a study group to help us understand what the heck these guys like Foucault, Derrida, and Barthes were teaching us. On a separate occasion, a bunch of students and faculty would get together to read and discuss novels written by Charles Dickens. The overarching sense of community that I found in the English department was the most enjoyable experience I had as an English major.

What is your main research interest?

Besides trying to find a steady balance between work, sleep, and personal freedom, my main research interest focuses primarily on literature of the English Renaissance and Romantic periods. My current research project aims to look at the influences of Edmund Spenser’s The Faerie Queene on the ‘mature’ poetic style of John Keats.

Do you have any advice for our current students?

Find what you love. Do what you love. Don’t miss out on your opportunity. I say this with a grain of salt, because, sometimes life does hit you hard. If you are serious about your goals in school and life, don’t delay them any further. Read your material, write your papers, make friends with faculty and students; become immersed within your profession. You don’t want to be sitting on a park bench one day, pondering the meaning of your life, and say: “Wow, I really wish that I did that while I had the chance.” Of course this may sound like typical motivational mumbo-jumbo, but hey, they keep preachin’ it for a reason. Overall, know what you want to do with your life and have goals set to help yourself get there, but be smart about it. Have a backup plan prepared in case you don’t make it your first or second time. Of course, enjoy it all while it is happening.

Faculty Feature: Dr. Andrea Gazzaniga

 

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Dr. Andrea Gazzaniga, Assistant Professor of English, discusses her latest projects and how she became an English professor—as well as why she feels close reading skills are so utterly important.

How did you know you wanted to focus on English studies?
I’ve always loved the way literature allows me to engage with people who inhabit distant times and lands. Reading all types of literature makes me feel connected to the world.  Reading poetry especially intensifies my experience of life because it articulates feelings and thoughts that we all share and yet believe to be ineffable.  The way poetry captures in words an idea, an impulse, whatever, is pure joy.

Why did you want to become a professor?
I did not realize English studies could be a profession until my last year in college when a few of my English professors encouraged me to pursue my passion for literature further. I distinctly remember turning in my last college essay for a Jane Austen class and wandering around campus in a daze.  I ended up on a bench by the lake crying my heart out. I thought, “I’ll never be able to discuss and write about literature like this again!” Very melodramatic. That same afternoon I was walking through the library and my Shakespeare professor said, “You need to seriously consider academia as a profession. You could do it.” A profession? I had no idea that was possible! I always thought my professors were fairies who magically appeared for class to feed my mind with ideas and then retreated back to the forest for supper and a nap. I had no understanding that they actually worked for a living! I decided I needed to figure out whether or not I liked teaching, so I taught English as a second language in Morocco (long story) and realized I absolutely loved it.  So, being a professor weds my love for research and writing about literature and my love for teaching.  The combination of intellectual pursuit through scholarship and inspiring students to intellectually engage with texts in the classroom is my idea of a perfect life.

I recently listened to a paper you gave at the MMLA conference, and it was fascinating.  Can you summarize it for us?
First of all, I was so honored to be on a panel with you and Mary Ann Samyn. What a treat! I created a special session called “The Pedagogy of Poetry” to address, among other things, my question: How can teachers of poetry cultivate close reading skills while still preserving a sense of wonder and ambiguity?  My specific paper, “The Ethics of Close Reading a Poem,” argued for the importance of teaching close reading skills not only as a means of textual analysis but also as an embodiment of ethical behavior.  Close reading asks students to listen to what a text is saying rather than make assumptions or guesses about what it is saying based on preconceived notions and expectations.  In this way, teaching students to close read is a way to resist prejudicial thinking.

Tell us about your recent publication.
I published an article on Sergio Leone’s Once Upon a Time in the West and its revisionist take on the Western genre. Specifically, l examine the way the film challenges and revises the female archetypes in the Western tradition. I have another article under review on the Victorian poets Katherine Bradley and Edith Cooper who wrote under the male pseudonym Michael Field.

What are you working on now?
I have a couple of projects going right now. I am currently writing a pedagogcial piece on integrating creative assignments into literature courses.  I’m also finishing an article on Elizabeth Barrett Browning’s Sonnets from the Portuguese. Next up is a journal article on George Meredith’s sonnet sequence Modern Love.

Any advice for current students and recent grads?
Stay engaged. For current students, talk to your professors about the material you are studying in class. Ask a lot of questions. Being able to ask the crucial questions about something is a skill that will serve you well in whatever you choose to do.