Kevin Kehl graduated from NKU in 2012 with a BA in English and a minor in Medieval and Renaissance Studies. He’s currently completing a MA in Literature at the University of Massachusetts Boston and is planning to apply to apply to PhD programs.
What are you up to now? Can you tell us a bit about your transition into the MA English Lit program at UMASS Boston?
Currently I am finishing my last semester in my Master’s program at the University of Massachusetts Boston and writing my thesis as well. In the upcoming fall, I plan on applying for Ph.D. programs. Besides my own studies, I teach a course at the University and I am also working with a professor to coordinate a study abroad trip this summer in Siena, Italy.
Once I graduated from NKU, I moved to Boston at the end of the summer to begin my M.A. in English Literature. My transition into the program was actually very exciting. I was one of many transplants into the city with many colleagues from different parts of the country. The idea of moving into a city with no previous connections was a bit nerve-racking, but the faculty and fellow students have provided a wonderful atmosphere for learning. For me, it has been a very profitable decision in both my academic career and personal life—mostly because Boston is an amazingly vibrant city, packed full of opportunities. The city is never a dull moment! Of course, running into random NKU professors at conferences is nice as well!
What is one of your greatest memories and/or greatest lessons from your time at NKU?
Hmm…that’s a tough question. Well the greatest memories, I will say, have always come from the interaction with the English faculty in-and-out of the classroom. Particularly, I always looked forward to the energetic classes taught by the professors. Topics such as Shakespeare, Faulkner, Romanticism, and…I hate to say it…Literary Theory, always seemed to be fun even at their most grueling moments. The best parts were being able to have study groups and conversations with other people about the things we enjoyed or suffered. I know that one semester, our theory class banded together to form a study group to help us understand what the heck these guys like Foucault, Derrida, and Barthes were teaching us. On a separate occasion, a bunch of students and faculty would get together to read and discuss novels written by Charles Dickens. The overarching sense of community that I found in the English department was the most enjoyable experience I had as an English major.
What is your main research interest?
Besides trying to find a steady balance between work, sleep, and personal freedom, my main research interest focuses primarily on literature of the English Renaissance and Romantic periods. My current research project aims to look at the influences of Edmund Spenser’s The Faerie Queene on the ‘mature’ poetic style of John Keats.
Do you have any advice for our current students?
Find what you love. Do what you love. Don’t miss out on your opportunity. I say this with a grain of salt, because, sometimes life does hit you hard. If you are serious about your goals in school and life, don’t delay them any further. Read your material, write your papers, make friends with faculty and students; become immersed within your profession. You don’t want to be sitting on a park bench one day, pondering the meaning of your life, and say: “Wow, I really wish that I did that while I had the chance.” Of course this may sound like typical motivational mumbo-jumbo, but hey, they keep preachin’ it for a reason. Overall, know what you want to do with your life and have goals set to help yourself get there, but be smart about it. Have a backup plan prepared in case you don’t make it your first or second time. Of course, enjoy it all while it is happening.
Mary Anne Reese is an attorney based in Cincinnati. She graduated from the MA program May 2012 and she is the author of the poetry collections Raised by Water (Finishing Line Press, 2011) and the forthcoming Down Deep (Finishing Line Press).
Since you were/are a lawyer, why did you decide to pursue an MA in English? And why did you choose our program?
Most of my legal practice involves analytical writing. I knew from my undergrad experience that studying English would sharpen those analytical writing skills, and it has.
My real hunger, however, was to turn my creative side loose in a supportive environment and see what might happen. I searched online and found NKU’s new graduate program. From the first course, I knew I was in the right place. The learning community, the mentoring and feedback I received, and the extensive reading I did all helped me to develop as a writer.
Also, while many fields of study provide useful skills, I think the humanities are a lifeline. Our professors, students and the coursework taught me a great deal about living fully, with steadfastness, compassion and resilience.
What have you been up to since graduation?
I’m still working as an attorney–I do a lot of writing in the area of criminal constitutional law. In my spare time, I love to swim. I’ve also taken up tai chi. Since lawyering and writing require a lot of sitting, it really helps to move around. I’ve also found some good community writing programs–the Cincinnati Writers Project, Grailville, library series. . .
You just had your chapbook, Down Deep, accepted for publication by Finishing Line Press. Can you tell us a bit about those poems? How did they come together as a collection?
Most of the poems were part of my capstone project with Kelly Moffett, and one came from the 2012 First West Retreat. To arrange them, I did what I once heard Billy Collins suggest–pull out the strongest poems and lead with those.
Three topic areas predominate in the collection–gifts and struggles in family, in the natural world, and in my faith tradition. To keep the collection dynamic, I mixed up these topic areas. I also mixed up poems from different time periods and those with different voices/tones. Somehow there’s an inherent, nonlinear kind of logic to it. Almost every poem has water in it. The collection starts with a childhood scene and ends at a grave.
What is your writing process like?
Something strikes me that I need to respond to–it might be a film, a letter, a life event or a leaf. I sometimes make a note of it on my phone. Then I ruminate for awhile, or put it aside and then revisit it. For the actual writing, I like to have long stretches of time–the Friday night before our CWP poetry group meets on Saturday, or a Sunday morning. Then I revise and revise over at least a couple of weeks. I like to get feedback from a critique group before writing the final draft or submitting it anywhere.
Who are you reading right now?
Do you have any advice to the student-writers in our program?
Take every chance to read your work to an audience–at readings, conferences, the radio, open mics. NKU gave me a lot of those opportunities. It helps to hear how your work sounds out loud–what flows and what trips you up. Readings also let you feel audience response in a way that doesn’t happen alone at your computer. Giving readings is also a good counter to the critical voice that says “you can’t really write” or “you’re just wasting your time.”
For many of the same reasons, it’s great to attend writing conferences and retreats.
Ashley Theissen (Spring 2009) shares how she decided to attend graduate school, her fondest memories while at NKU, and advice for current students. She’s currently a PhD student in 20th century and contemporary U.S. fiction at Indiana University, and she maintains a professional blog at ashleytheissen.wordpress.com .
What are you doing? What have you been up to?
I just took my qualifying exams in September. I will start working on my dissertation this spring. While I am still figuring out my project, I plan on working on fictional representations of marginal figures such as the homeless, addicts, and the mentally ill. I want to explore how these figures articulate with other historical reasons for marginalization in the U.S., such as race, class, gender, and sexuality.
After I graduated NKU, I spent 9 months working at Keystone Bar and Grill in Covington, my place of employment during undergrad. I decided to take a year to focus on applying for graduate school instead of doing so while I was finishing up my degree. I know now that this was the right decision! Not only did it give me the necessary time for the application process, but it also allowed me to spend time with friends and family before moving away. I also met the man who is now my husband during this “gap” year!
How did you know you wanted to go to graduate school? What helped your decision to attend where you are now?
I think I was a sophomore in high school when I decided I wanted to be a professor. At the time, I thought I wanted to do history. When I started college (at Kentucky Wesleyan College in Owensboro, Kentucky) I decided to major in Political Science and Art. After a few semesters, I realized I was much more interested in my English classes! So I switched majors, but my professional goals remained the same. For me, graduate school was always a necessary step to get to where I wanted to go.
I applied during a very competitive year, so my decision to attend IU was partially based on the fact that I got in! with funding! If you are trying to decide where to go to graduate school, it is important to create that initial list with care. You may only get into a few places, even if you apply for 8-10 schools. So, for me, I only applied to programs I had thoroughly researched and felt comfortable attending. I was thrilled when I got accepted to IU, because it is a very strong program with amazing faculty.
What is one of your fondest memories of NKU?
I have so many. Really! Let’s see… Almost every memory I have of taking classes in the Honors House is a highlight. I was able to create documentaries for class projects, go on amazing field trips, and build a really cool community with students and teachers there. But I think my most important memory is one that has gained significance over time: it was in the final months of my senior year, and I had just turned in a mediocre draft of my senior thesis (on Kate Chopin and Virginia Woolf) to my advisor, Tonya Krouse. After reading the draft, Tonya set up a meeting with me. She told me I had two options: 1) do final edits and “call it” because I had already done more than enough work to fulfill the requirement, or 2) dig deep and find the energy to complete the project I had set out to write. This was a moment of reckoning for me. It does not sound like a “happy” memory, I know, and at the time I certainly was not happy! But over the years, when I have had, again and again, to dig deep and find the tenacity and persistence that I feel like I have lost, I remember that conversation. And I remember that I did choose option 2, and I did my best to produce the document I wanted to, despite the difficulty of my senior year. And a happier memory to end on: when I presented that same paper at the NKU Honors Colloquium, John Alberti asked me what I would change about transatlantic scholarship if I could. I began my answer “Well, if I were in charge of English everywhere….” That’s all you need to know. The confidence of a undergrad!
What are you reading now?
Critical things to “fill in the gaps” about my exam period, so, at the moment, Brian McHale’s Postmodernist Fiction (1987). I am also rereading everything Junot Díaz has written because he is visiting IU this spring and I love his work more than anything ever!
Do you have any advice for current students?
Study the fields you excel at and the ones you really love. Because I am now a teacher as well as a student, I find myself helping my students with letters, advice, career searches, etc. So many careers today require a degree, but not a specific one. So if you are worried about getting a job, the best thing to do is study something you can be proud of, and that you can talk about with grace and expertise. If you try to bet on the “right” major, but you get it wrong or it isn’t the right fit for you, it won’t make a difference anyway. So do what you love, AND work really hard to figure out how you are gaining the critical thinking, communication, cultural awareness, and other skills that will serve you throughout your life, no matter what your job title is or how many times you change careers. Take this time to learn about yourself and the world you live in, and no matter what, it will be worthwhile time spent.
What do you know now that you wish you knew when you were at NKU?
Graduate school is so much harder than I could have imagined! But everyone told me that… it is one of those things I could not have known then. And maybe that is for the best, after all.
One of our newest alums, Nicci Mechler (MA, 2013), shares her latest project: creating an exciting new literary journal, Sugared Water, which had its first issue released this week.
Why was Sugared Water created? What gap do you feel it fills in the lit publishing world?
Sugared Water is meant to be a place where genre meets literary work. We consider all kinds, and choose what strikes us in the moment, mark it for later, and come back to it in a week or four. If we just can’t let it go, there’s a good chance we’ll accept the work. Things that grab on to our minds can be anything from beautifully lyric and richly visual poetry to flash speculative fiction, or experimental forms of creative nonfiction. We dig humor and sass, and we’ve found, as writers, that combinations of all of these things can be difficult to place.
Though I have a data-clogged Kindle and love to read that way, I also adore books. I think books should be beautiful, well crafted, and worthy of space on a real bookshelf. Sugared Water is limited edition, handbound & stenciled. #001 is wrapped in a screen print on 100% recycled paper. Only 240 exist. I’ve read the work inside a number of times over the five months in production, and I’m happy to go back and look again.
What we want out of a literary magazine: good stuff that doesn’t get old.
What kind of work does your editorial board like? Why?
We like clean copy that’s evocative of emotion, image, or both. Strong voiced, sure characters. We want people and narrators that feel realistic, even if they sell tornadoes from their garden, or hold fifteen-minute conversations with a goldfish. Humor is good. Our editorial board is big enough that we’re willing to argue for any number of things. My best advice in submitting to us is to be sure your work knows what it is. Commit. Be weird if your piece is weird, but don’t go for full on literary and then drop a unicorn in the last sentence. Nobody likes a U-bomb.
Issue #001 has evolved with a water theme, which was completely accidental despite our journal’s name. We didn’t go looking for it, but it certainly found us. We have a fishbowl, lakes, oceans, whales, fog, pails of water, angelfish, hurricanes, tides, tears. But, of course, we also have fire and laughter, bones, salt, and blackbirds. As Anna says in her editorial bio, we like stories that make us forget who we are. (We also like stories that make us see ourselves—either way, it’s about connection.)
We let the larger pool of submissions shape our magazine for us.
Do you have any advice for current writing students?
No matter how many rejections you receive, keep working your craft. Somewhere out there is a home for your work. Don’t be afraid to write what you need to write—or be afraid, then write it anyway.
(And don’t be an asshole in critiques.)
Once you’re ready to submit your work, 1) read each magazine’s guidelines carefully, 2) follow them.
Small press saves lives.
Sugared Water reads April 1 – July 1 and October 1 – January 1.
If we could candy words, we’d eat them to bellyaches every afternoon. We carry journals and collect chapbooks like Smaug ripping through a gold-sequin disco. If we’re lucky enough to leave something behind that enriches the dialogue of writerly types around the world, so much the better. Send us your stuff—we’ll only hoard it for a little while.
Website & Submission info:http://sugaredwatermagazine.wordpress.com/
Issue #001 is available primarily via Etsy:https://www.etsy.com/shop/WickedLittleHeart?section_id=14226332